Charles Burnier _ Conheo the Dr. Charles! _ Very well! They could you in giving many details to them that would be of great utility pra to place a salafrrio behind the gratings, for at least one hundred years! In the gone one to the well, we summon Mr. Bonifcio and the welders to also go. When they turn the monumental workmanship that was one year underneath of feet of them, had been so apalermados that they had only made to gesture. I affirm that you he will be magic with the workmanship and history. If Mr. Bonifcio is guilty, has been so good actor who deceived in them to all. For this reason, volume the ousadia to risk a palpite, saying that I do not believe the guilt of it.
Non-observance or recklessness, perhaps, but guilt, I find difficult very. I was clearly? _ Very clearly, delegated! It does not believe the guilt of the Boni, but it does not put the hand in the fire, and good pokes of ear pra to be more careful Certain? _ Only one coisinha, is one cidadezinha small pacata of the interior and is difficult somebody here to believe that facts of this nature can happen _ With three commission agents Exactly assassinated? _ According to Mr. Bonifcio, Mr., Dr. Carlos, was well clearly that they would have to be well far from these subjects, and seems that it obeyed. Moreover, if it was taking care of of the service of it, that is, of the interests of its company, he could not have time to put the nose in what he was not of the account of it! _ Commission agent, if all the lawyers were as Mr., or the world would be full of criminals for the streets, or only the true criminals would be in the chain.
But it had a time where ached it me and she wounded me and ardia as one caniveta opened. (DD, p.10). Pain, heat, suffering, are what it caused Lady to its only son. For being always together the negative points of each one become evidentes. One recognizes in the other its proper weakness. The power and the altiva position of mother reflects the inferiority of Dra and all the fragility of the son reflects the imperfection materna.
Repudiating its proper defects and without wanting admitiz them, mother and son if they attack, knowing each one as to reach to another one. Dra if feels a son hated for the mother. It not only believes the rancor that its mother feels for it as she attributes to the cause of this its birth. Dra if punishes. Special tax in itself same all the guilt of the disharmony that exists between it and its mother. Many times, Dra does not have courage to reply e, covardemente, is avenged in other ways. At moment none of the narrative the name of Lady is cited. Under most conditions Spm Llc would agree.
Dra, as narrative, opposes to pronounce it the proper name of the mother; as form of revenge for the disdain, the altivez, the power and the persecution of that it judges to be white. Dra if denies to take the blessing and to say the name to it. Dra is always provoking and as its mother always reacts with severity, the protagonist does not harmonize itself with it: I thought about it taking blessing the Mrs. I for me already leave this before much time; one time I slept and I woke up, when I passed for Lady I gave good-day and it did not complain and when I was to sleep I gave good-night; in the following day, in the table, moving the coffee, only was that it said: _ _ That history is this of good-day? Cad the blessing? (…) _ _ Maria Miracle counts that black captive was that he took morning blessing, of night, seno took tether.
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The moment of the reading was perceived that the objective of histories is an interaction, making with that the reader if feels part of the narrative, becoming most pleasant and approaching a language simple, of easy understanding. The public has chance to see its reality in histories and if to feel part of them. Ahead of the displayed one, he can yourself be affirmed that the characteristics of the discursivo content, allied to visual elements, used in histories in quadrinhos, special ' ' Group of the Mnica Jovem' ' , they contribute significantly for the learning of its public, not only in the understanding of the reading in itself, but in the formation of values that go since daily questions the controversial and deeper subjects. The magazine promotes constants repaginaes and adequacies in its content, aiming at to reach a public each ampler time. Thus, it comes if transforming and placing in the market, to the disposal of the readers, a diversified edition abundance reaching its objective greaters: the contribution for the learning (and knowledge) of the reader and the increase in the sales. 4. REFERENCES ABRAMOVAY, Mriam; I CASTRATE, Mary Garci’a; OF LEON, Alessandro.
Youth: present time or future time? So Paulo: GIFE, 2007. AMARAL, Ceclia Maria. The use of histories in quadrinhos as pedagogical resource. In: Arguing Literature-Special Quadrinhos. So Paulo: It scales Educational, 2008. BIOGRAPHIES.
Maurcio de Sousa. Available in: . Access in: 17/09/2009. EISNER, Will. Quadrinhos and the sequential art. So Paulo: Martins Sources, 1989. HISTORY in quadrinhos in Brazil. Personages of the Group of the Mnica. Available in: . Access in: 08/09/2009. MAINGUENEAU, Dominique. New trends in analysis of the speech. 3.ed. Campinas (SP): Publishing company of the State University of Campinas – Bridges, 1997. MARINE, Elyssa Soares. Histories in quadrinhos the orality in its construction. Available in: . Access in: 20/10/2009. COLORED PERSON, Adriano de Avance. Heroes ' ' crescidos' '. Available in: . Access in 27/10/2009. REBOUAS, Fernando. History of the quadrinhos. Available in: . Access in: 15/09/2009. SOUSA, Maurcio. The art to the reach of the child. Available in: . Access in: 18/09/2009. GROUP of Young Mnica 5 disappoints when approaching daily adolescent. Available in: . Access in: 20/09/2009. VANOYE, Francis. Uses of the language: problems and techniques in the verbal production and writing. 12.ed. They are Pablo: Martins Sources, 2003. VASCONCELLOS, Peter Figueiredo. Sleeve, the ways of histories in Japanese quadrinhos. 220f. Dissertao (Mestrado in Design)? Department of Artes and Design. PUC, Rio De Janeiro, 2006.
It is intended, in this assay, to argue the woman and its cunnings from the romance, a family history. Published in 1992, ' ' A history of famlia' ' , it presents to the readers the thematic ones of the death, madness, the shame and the guilt envoltas in a sentimental environment. Its main personage is a sick person who tells to its familiar history by means of its memory of infancy and discoveries concerning the past of the uncle Mrio, already deceased, that she was weak mental, in an imaginary colloquy. Using itself of involving texts that attract our attention on the mystery of the death of ' ' insane person of famlia' ' , Silviano Santiago brings critical to the traditional, repletos values of preconceptions, a family of the interior of Minas Gerais. As we can evidence, the author uses a clear and concise language to emphasize the desire of the relatives of uncle Mrio in seeing it deceased, but at the same time where they ask for its death, they feel shame and guilt therefore, frequently: All want its death already, for of certain the holy ghost? it stops its well in its place, They had decided here in the land, determined is up there. To the will ours of the men it reigns, arrived the hour.
Decision made in I silence Tacitus and connivent, Are they? the next and the ones that love more you? that they decide on its destination (SANTIAGO, 1992, p.7). Subentendemos, from the romance, that the paper of the women and its relations with the men denotes a question of being able, typical of century XXI when it starts if to argue the relationship between the sexos and blows up the movement feminist for the world, demanding right that until then they were denied the women. Therefore she is necessary if to attempt against for the o foucautiano concept of being able.